April 12, 2012

Feminine, Sweet and Sexy, Jean Paul Gaultier's Classique





http://www.jeanpaulgaultier.com/

Jean Paul Gaultier Classique
Eau de Parfum, Eau De Toilette


If packaging either very much repels or attracts you, you will not be unmoved by the fabulous female torso-bottle that is the iconic Jean Paul Gaultier bottle, that in turn houses the similarly iconic JPG Classique. I confess, for many years, I was a put off by the JPG bottle; my slight feminist bent a bit put out by the overt sexuality of the bottle. But then, feminist judgment left, and femininity took over. One day, after having dismissed the bottle (and scent inside) for being frivilous, I made a bee-line for Jean Paul Gaultier’s Classique. How could I have held off on this perfume for so long! What a treasure!  The nose behind this treasure, it must be said, is Jacques Cavallier

The famous glass torso housing this wondrous fragrance is available in two decants: Classique Eau Parfum and Classique Eau de Toilette although over the years (since the 1990’s), there’s been some 18 or so, variations on the theme but Classique is your best bet. Unless you know JPG you might not, having seen the perfume in its metallic packaging which looks very much like a can of salmon have a clue of what lies therein. But open it up and beyond the glass, buxom bottle is a world of dreamy femininity.

Purportedly created in memory of Jean Paul Gaulthier's chere Grand’Mere, Classique was mean to capture both raunch (inspired by said-grand mere’s pink corselet, discovered after she had departed to wherever mature femme fatales ultimately reside) and sweet vanilla comforts (inspired by the homier, nostalgic, and decidedly more maternal memories of grandmother).

Sweet, fruity, vanilla and musk are the main wafts and yet done, as only the French can do such combinations, with total sophistication. Classique is, if you pardon my audacity, as if you were indeed clutched to the bosom of a madonna/matron/showgirl –all at once. I would go as far as to say: motherly stripper but that’s too far in either direction. Suffice to say it’s sweet but not cloying, sexy but not tender – it’s a gentle sigh of a womanly woman who knows her strength lies in knowing who she is and what men like in that way French women seem born with. With Classique, you too, can aspire to this Eve-old wisdom.

The Fragrance Notes

What greets you Jean Paul Gaultier’s Classique are roses, tethered to orange blossom, musk, a tiny hint of ginger and star anise, the delicacy of orchid and a base note of amber and vanilla. This scent could be over the top or too sweet but it somehow offers a coquettish strut – rather than a heavy footed thud. It is a floral oriental in the best of ways. It comes on strong and settles in a powdery je-ne-sais quoi that is flirtatious, maturing to captivating. If you wanted a signature scent in the sea of signature scents, this is a good place to start


April 11, 2012

Younger Than Springtime .....White Lilac and Rhubarb from Jo Malone



http://www.jomalone.com

Jo Malone announced a new collection of limited fragrances named London Blooms, coming out in March 2012. London Blooms collection was inspired by the art of botanical gardening and beautiful English lawns. The collection presents three fragrances signed by Christine Nagel: Peony & Moss, White Lilac & Rhubarb and Iris & Lady Moore. Their floral compositions are created with the aim to provoke feelings of happiness, romance and good mood.
 
White Lilac & Rhubarb is a feminine and romantic fragrance composed of notes of rhubarb, white lilac, rose and heliotrope. Bottles and packaging of the collection are decorated with floral illustration of vintage vibe. The fragrances are available as colognes in bottles of 100 ml.

Trust Jo Malone to 'get' an English garden primal perfume (primal in an elegant English way of course) and bottle it. The scent of this perfume is all at once floral and earthy - almost as if you spent the day digging out tulip bulbs and were bathed in spring sunlight with and fallen lilac blossoms all around you and a basket of fresh cut rhubarb nearby.

This is one of the most romantic of all Jo Malone scents although being Jo Malone, it is fresh and feminine versus sultry and sweet. A great day time perfume and in a wonderful nod to one of my favorite scents:lilac and a favorite taste: rhubarb. Airy, light, and eventually, captivating if you give it a chance.

December 21, 2010

Love, Chloe: Feminity in a Sweet Bouquet




Love, ChloeSome scents remind you of things and times and some, instead remind you of feelings, moods and a sensibility of spirit. Chloe Love is one such perfume. It is a light, sweet and fresh but more an aura you wear than a perfume you spray on. The packaging itself is gorgeous, Chloe signature:  elegant, feminine – almost ravishing. The glass bottle is yesteryear and today, featuring a pinkish gold trim and a chain to attach the cap. It bespeaks wealth and a woman who has classic taste. In essence, the Love, Chloe aura is apparent even at a glance.

Essential Notes:Top NotesOrange Blossom, pink pepper
Middle NotesIris absolute atop a bouquet of lilac, hyacinth, wisteria (which echoes the lilac in another accord) and heliotrope
Base NotesRice notes, heliotrope, vanilla, almond and musk

What does all this add up to? Love, Chloe is romantic, slightly wistful, like the memory of a lost tryst many springtimes ago wherein you left some fellow or he left you, just before the love affair could quite blossom, leaving a sweet memory in its wake, the fleeting heartbeat of potential, along with the scent of your dignity and pride intact as you remember your elegant retreat. More than that, Love, Chloe is one of those amazingly balance perfumes that incorporates sweet florals on a backdrop of musk in a way that is at once fresh and gently powdery so it is light and warm at the same time. It captures the scent and spirit of a boudoir after the woman who has done her femininity mis-en-place has vanished; overall it’s light but indelible. This is not a long-lasting perfume which makes it fine for day wear and first dates  or a signature scent. The Orange Blossom (neroli by any other name) offers a cloud-like opening that paves the way for the florals and sweetness that follows. To me, this is a new classic.

April 21, 2010

Fracas - Sultry hot flowers after the rain






Sometimes creating a masterpiece is bad thing because like having an exceptional child, people tend to forget the other siblings, each with own allure. Such is Fracas – such an extraordinary, landmark perfume that when you think Jean Piguet and Fracas perfume creator Germaine Cellier, you forget there was Baghari and Bandit, Visa and others. But we are here to bring homage to Fracas, Martha Stewart’s signature scent, wouldn’t you know (she once did a whole segment just on her favourite things in perfume and everyone got a bottle of Fracas to take home)

Top Notes
Bergamot, Mandarin
Middle Notes

Jasmine, Tuberose, Gardenia, White Flowers

Base Notes
Musk, sandalwood
Fracas is sultry - and like most sultry things, hardly subtle. It’s as if someone decided what’s better than the waxy, floral glory of sweet, intense gardenia and tuberose? I know – yet more gardenia and tuberose. I liken Fracas to finding a scented orchid in the middle of a dense rain forest – it leaves me with an impression of a hot jungle flower, transported to a hot house where it has been groomed into intensity beyond its roots, and then showered with rain to cool it off, leaving the heat and humidity and floral notes, still hanging - like soaked clothes on a perfume clothes line, in the air. There is a definite watery feel to this floral, even though it is sweet and emphatic. Fracas is for a woman, not a girl, and thus I am not surprised Madame Stewart claims it as her scent – it is a brand in and of itself. Like Ms. Stewart, Fracas has style, confidence and staying power. And that, in a perfume, is a good thing.

Baghari, by Robert Piguet - Carnal, Timeless - It's a Strut in a Bottle


Baghari, Robert Piguet

www.RobertPiguetParfums.com

In the Piguet PR kit there is a line that describes Baghari perfectly: Baghari is a classic soft floral, beloved by women who are frankly romantic, feminine and young at heart’. You cannot describe Baghari any better than that unless it is to mention it is, after famed Fracas also by Robert Piguet (and Martha Stewart’s signature scent) one of the world’s remaining, old school glamour gal perfumes. But first, as always, the essentials:

Top Notes:
Aldehydic Notes (a complexity of cool and creamy white florals)

Middle Notes:
Rose, Jasmine, Iris, citrus

Base Notes
Amber, Vanilla, Musk

At first breath, Baghari wafts elegance, luxury, and it’s almost like you’re inhaling Paris, circa 1950. There is headiness to it because it is almost, but not quite, over the top. It announces itself the way a woman who owns the room does – gliding in with that enviable carriage and a steadiness to the gait – saying: she can have any man she wants. It’s a quiet strut but it’s a strut –no mistake. It’s pointless to suggest there’s a touch of flirtatiousness - that would be kind of lightweight when talking about Baghari. It's so unapologetically seductive it’s almost animalistic; let’s just say gently carnal and with a soul that is sheer womanliness.

Since 1950, perfumer Aurelien Guichard of Givaudan rebalanced the original fragrance, ensuring it’s classic impact but giving it a contemporary nuance that makes it a ‘modern classic’. It begins with luscious orange and creamy white florals which then surrender to a forest floral sense in the iris, rose and jasmine (it feels almost wood and fern, rather than floral at this point). The finish recaptures you with sweetness but this time, the sweet bottom notes are emphatically down to earth.

In a strange way, Baghari tells a story – there is such a definite beginning, middle and end – you can feel it blossom on your skin. Then there's a resonance that stays which is definitely that which we call : all woman. This is a perfume, as they say, that has 'legs' on it. Simply gorgeous.

March 31, 2010

Scent of a Woman, My Journey in Perfume, a Beginning


“Gee, you always smell so good!”
Aromas from the kitchen, scent from the boudoir, flowers from the garden: fragrances everywhere! The beginning of my perfume evolution 








As a baker girl/chef, it is no surprise that I am seduced by scent. In addition to working with fragrance and flavors in the bakery and kitchen, I also dabble in candle making, personal and custom perfumes, and hand milled soaps as well as home fashioned incense and potpourris.

Scent is as much about memory as it is a woman’s special personal signature and statement of taste.  It is highly subjective and powerful – as fragrance is an incredibly indelible sense. All of us will easily and involuntarily associate scent with a time and place, a mood, a feeling, an ambience, a lover in our past or the comfort of our favorite grandmother - just as much as we associate it with our own personal being.

It is no real surprise, and then, that we cling to one or two perfumes and announce, ‘That is MY perfume’ – as if we own it. We might take a long time to fall in love with one scent but when we do, we are spoken for.
Most women are hardly fickle. We might get giddy over something at 16 years old, and, despite a myriad of other identity evolutions, stay with that fragrance for 25 years! Oh no, no…we will protest, when tempted with a new perfume,  “My perfume (ours and millions of others) is Youth Dew or L’air de Temps or
Chanel No. 5. That is the only thing I wear”.  To change perfumes is a minor act of courage and mild rebellion for the femme fatale without a cause.

Some of us, on the other hand, will wear whatever comes in the magazine scratch-and-inhale sample pages. Regardless whether it suits us. Regardless that everyone else is wearing it. We will wear whatever someone gives us a gift or worse, what comes as a promotion with skin cream. It can turn out to be a good thing but it speaks to indifference. Non - you must take an interest in scent - it's almost your soul's signature, here on earth.

I have my own views and my personal perfume history and this is but a sampler of my perfume roots. It begins innocently enough.....

As a new teenager, I got stuck on Heaven Scent, Oh De London, anything lilac and of all things, Elizabeth Arden’s Blue Grass, which in fact, I've recently returned to. I guess you could tell I was a flower girl, even then. In time, I abandoned all but the lilac-based perfumes, and graduated to Shalimar, which everyone was wearing at the time. No matter what people say about perfumes smelling different on each woman, Shalimar, bless Guerlain, smells like Shalimar on everyone which is to say, crowd appeal notwithstanding or detracting the awesomenses of Shalimar, is to say, it smells like a sexy love story that is irresistible.
But then and I blame the serendipity of fragrance fate, I received a sample of Ma Griffe and duped myself into thinking I was sophisticated (and hard edged enough) to call it mine. Heavens! So heavy, so sombre, so dark – what ever possessed me? It is only now, and this is in no way a sign of disrespect, I learned that Ma Griffe was created by a perfumer who had lost his sense of smell. Brilliant as deaf Beethoven, this perfumer went on to make Ma Griffe – a stunning perfume but geez – no one under 65 should wear it.

I segued to Patou’s Caline (now about impossible to find unless you are dating a Jean Patou sales rep, now probably a Proctor and Gamble sales rep), while on a brief perfume sabbatical which also included a sojourn with Chanel’s Cristalle, and Dior’s Diorissimo, which is, a field of lily-of-the-valley in a bottle.  I loved Cristalle (it's definitely a summer day at the office or morning after a night out and you haven't had time to change -Cristalle saves your arse)

I abandoned Cristalle when I became addicted to Caline  - I mean, if it was a guy, Caline would have been my soul mate, only to be truly saddened when it was retired to Jean Patou history. When perfume book authors talk about Caline, they wax lyrical. It was more than a perfume; it was an era.

Losing Caline was a real shocker, the first of many pivotal experiences that taught me what we all eventually learn, that nothing, not even a vial of perfume, is here forever. Caline had begun as an impulsive affair in fragrance and so soon, so intensely, I wanted to move in and marry it. Of all the perfumes I have ever worn, at any age, it played on my skin like a second skin, in fact. I did not wear it; it was part of my essence. I truly pined when it disappeared. Once, after years of doing without,  I did find a tiny bottle of Caline in Bergdoff’s in New York. But like a new sofa you cover in vinyl and don’t sit on, I did not use my precious Caline – I could not bring myself to use it except for special occasions. Oh but listen, it turned bad, what with exposure to light, humidity and simply non-use. Over a few months, it smelled quite rank. Lesson: live for the present. Don’t save, savour.

One day, I also conceded (for no real reason other than reading something along these lines) that Diorissimo’s  lily-of-the-valley was too young or too old for me – I could not decide any more than I could decide that smelling like one flower was a good or bad thing. At any rate, Diorissomo met its demise in my boudoir. Ditto for Lavender. But everyone thinks they should like Lavender – it sounds so nice! But I am no lavender-only lass – far too English garden-ish for me and too common as it is the scent-du-jour (discounting Green Tea) and is constantly incarnated in deodorant, room spray, hand soap, and car atomizers.
Then I happened on Caron’s Infini and I thought again, I had reached Mecca, perfume-wise. A more sultry, sophisticated scent you will never fine, but one, alas, that reminds me of someone about whom I cared deeply, and of a time so sweet and short but not so Infini, apparently. Which harks back to the stuff about perfume being about memory. See? You inhale an old scent and you go back in time and your heart similarly lingers. I take a wee whiff of Infini and tears can appear and a tiny, snug cinch forms around my heart. Which is a pity because I am relatively sure I am the last woman on the planet that wore Infini and now it is inevitable it will be retired. And so goodbye Infini and hello Calandre – a savvy scent but far too dark, heavy, and bold for me. Totally out of character. I flirted with Anais Anais and still have tea with it at times - it's lilies and lilies and more lilies - what's not to love.

One day, in a perfume funk, I serendipitously discovered the mysterious Arrogance and that is still a favorite. Why mysterious? Because, Arrogance, while still made in Italy, and by the same company, launches a new version each year of its same-named perfume. Oddly but happily, I like each version. It is flowery, a touch sweet, and exotic. It is, in a word, very me. Truth? It is no Caline but it is a charmer. I am entirely comfortable with this perfume. Which is more than I can say for Princess de Marina Bourgaine or something. I wish I Iiked it – it wafts mango and vanilla and is so fruity and pungent that you almost want to drink, rather than wear it.  Plus, the aging, Continental fellow who insisted I buy it also said I would be married within a week of purchasing in. As it turns out, I am still footloose and fancy free and consequently, for that and other reasons, I am not sporting that perfume anymore. I still read my horoscope; I just don’t buy perfumes (nor call a wedding planner) according to horoscopes or insistent salesmen anymore.

Wait, wait – I forgot a scent. Chamade by Guerlain. Gorgeous, feminine but it is an on-off affair Chamade (which refers to the ‘drumbeat’ or tattoo the heart makes) and I have with each other. If love inspires, you will inhale Chamade on me; it love disappoints, Chamade goes on sabbatical. In other words, when I am in love, romance and Chamade bloom. When I am not, Chamade taunts me and I in turn, abandon it.

Well, despite this seemingly winding trail of my scent history that might make you think I danced with many scents. The fact is that I too, was once in that loyal-to-one-or two perfumes category of women. I wore the same perfume for years. I had maybe two scents at any given time that I called ‘mine’.  I was steadfast. I was ….ah, well, boring. Perfume is a leap of faith. We change – we go from girls to wenches, to women, and goddesses and sages. I’m of that belief that our perfumes, like our taste in clothes, should journey with us, and evolve, as we are ourselves. Otherwise, you will be a 40 something still wearing Yardley’s Oh De London and Jovan’s Musk or whining at The Body Shop that they resurrect the now defunct Dewberry and not realize, you have by-passed your own scent.

About 6 years go, much like Rip Van Winkle’s wake up call after a long slumber; I similarly ‘woke up’. With a jolt, I realized –the world had a veritable bouquet of other scent possibilities. I could widen my field of fragrance. Suddenly, with that realization, I wanted to inhale the world!  Ever since that moment, for the last five springs or so, my birthday-and-scent-changing season, I adopt a new scent. That’s right, every spring, it is New Perfume Time on my calendar. No, not a time to tell a current man-in-my-life what to get me. Scent is personal. It is part of the femme fatale/goddess arsenal. It is girlie girl time. It is a date with myself. That being the case, I start my research early.  I go out on the hunt the beginning of March. I see what is new, what is classic, and what beckons me. By mid March, most of the perfume stores, and cosmetic counter ladies know me by name. We exchange chitchat about the kids. My pockets bulge with glass vials of samples; my coat pockets smell like sweet soaps; my car is littered with white, demure, cards saying this perfume or another.

By mid April, I hone in on 2-3 possibilities. But come May, in time for my birthday, and to mark the occasion, it is time to commit. And I do. By summer, the new scent and I are engaged.
So, where am I now, scent-wise?  The mood is light, the season is fresh. I go by mood and season, and occasion. There is a perfume for them all. I am still a lilac girl and by all accounts of polled tango partners, that still is a good choice. I also make my own potion of Clementines, mango, vanilla, and strawberry and pack it in vials to carry with me.  I wear cucumber oil that I combine with vanilla or musk or tea rose oil. I am a recent but total fan of Annick Goutal but I am not saying which ones (alright, I cave: Petite Cherie and Grand Amour –both heaven). 
I still adore Patou’s Caline and would trade my soul or at least my secret to better biscuits if someone could fine me at least one wee bottle (and not from Ebay – those Calines were all opened, used bottles, no thanks.
Did I mention my perfume snobbism? I believe the best are French or Italian (the Brits can be inventive, but staid, and the Americans oh-so-creative but perfume, like a old world baguette, takes history and a genetic sense of scent no one generation can emulate). But here is my not-so-dirty little secret. I had a brief affair with Oscar de la Renta’s Intrusion. It is lemony, floral, warm and well, there was no longevity or hope for a future, but, while it lasted, the scent was great. Every lass needs a fling. Intrusion (which I highly recommend) was mine.

Recently, I accepted the courtship of the New Scent and finally capitulated to is advances. You might say, it got under my skin. But the new love is indeed something special. It is soft, sweet, flowery but in an oriental way. It is warm and apricoty, sultry and soft spoken, understated femininity in each drop of its precious 1.25 ounce bottle. This particular scent makes me feel absolutely pretty – a perfume litmus test of the first order. It is a perfume that makes men stop in elevators and smile at me. It makes my son Ben linger when I say good night.

So, and just what is the new scent? Ah, that would be telling. Once you have found your new scent, you hush. It is your secret. Some things, we don’t share, like the secret to better pie dough, men, and perfume

Nea, Byzantian Magic from Jul et Mad, Paris

Nea Perfume Review Jul et Mad Paris Perfume https://juletmad.com/en/produit/nea-%ef%bb%bfluxury-case-en/  Nea Perfume from ...